The lie of the land is mesmerising with undulating
hills
tipped with the slight design of the White Horse on
the top
right of the picture. The superstitous and indeed
primal
design of the horse is like a scar or writing code of
a deep
distant past relating to the Anglo-Saxon heritage or
druids
before Roman times. The whiteness of which was
enhanced,
like a photo re-touching, to command the hills, in
recent
times under the National Trust's auspices.
The ryhmes of the hills are like
a skeleton bones defining the lean of the
land. The sleeping mass of the hills slumber at the
prospect of scrutiny.
Artist: J.Perkin
Acrylic Painting on board with frames
Size 76 cm x 33 cm
