Look And Buy, click and weigh up.
Please enjoy the
works for what they are.
Visual realisations rely on verbal
conversations; to
enhance the world around us we are
prepared to
acknowledge the beauty of life and the
complexes
that perturb our sleepless days. We
are vulnerable
to the emotions, in words, as to
physicality of our
worlds. It is mainly our friends who
keep us strong
and give us the best ideas. The so-
called pains of
life are often misjudged;
they are all learning experiences as
is the work
routine, we have everything to thank
for this. This
is life as it is here to stay.
Hey Wait, an accumulator,
We win if
we keep it within. No doubt the
process which is
spelt; is becoming. We only look back
to spice and
style afters; and so the painting
grows. Let me see
and detach my thoughts to what I can
do.
or not normally be aware of.
That is breaking new
ground.
Close up to the
ideas
whilst
painting. Noted,
to turn to, for increased energy.
Target-Art Organised Art Exhibition:
The Palm Tree Restaurant, Cane End (1-
3 May
2010)
The Christmas Art Fair, The Quality
Hotel, (formerly Royal County Hotel),
Broad
Street, Reading, Berks,
(20
December 2009 -
2
January 2010)
The George Hotel, King Street,
Reading, Berks (15
March 2009 - June 2011).
CMHT,
Reform
Road,
Maidenhead (16 April - Dec 2010)
The Wargrave Festival, Wargrave
Village Hall, (3
August 2009)
The Old Bell Pub and Restaurant,
Wooburn Green,
(1st May 2009 - August 2009).
The Wargrave Smile Train Event,
Wargrave Village
Hall ( 3/4/5 August 2008)
The Opening of the Magic Cafe and full
Art
Exhibition, Magdalen Road, Oxford,
Oxon (August
2008)
Other Art Exhibitions.
Oxford Modern Art Gallery, Oxford
(Open
Exhibition 2008) - Single Exhibit.
Slough West Wing Arts Centre, Slough
(February -
March 2009),
Restore in Oxford Arts Week, Oxford
(August 2007)
Fawley Fields House, Fawley (January -
February
2003),
Richard Dennis Gallery, Notting Hill
(August 2000)
Newcastle University (June 1994)
Radley College (July 1989)
- Artist Assistant to Joanna Migdal, a
Sundial
Specialist, Bix (p/t August 2003.)
Criticism:
'The medium ( for its own sake) shown
by Edward Waller's Abstract Colours
representing
feelings of the moment, occasionally
figurative
symbols aiding the Composition. A
very current
approach.'
F. Burges.
Moving between multiple subject
matter, the works
that deal with the body, or perhaps
details of the
body, allusions to it, are worked
using glazing - a
slow layering of thin paint.
The resultant pieces possesss an inner
lightness,
more ethereal than physical. They
represent the
body
as zen-like, focussed in approach,
transcendental in
concept.
Graham, June 2014
